[et_pb_section fb_built=”1″ _builder_version=”4.20.2″ _module_preset=”default” background_image=”https:\/\/editorainsight.com.br\/masa\/wp-content\/uploads\/2023\/03\/ana-gonzalez-fondo.jpg” custom_padding=”30px||30px||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” header_font=”|300|||||||” header_2_font=”Crimson Pro|300|||||||” header_2_font_size=”76px” text_orientation=”center” background_layout=”dark” custom_margin=”||0px||false|false” header_2_font_size_tablet=”76px” header_2_font_size_phone=”56px” header_2_font_size_last_edited=”on|phone” locked=”off” global_colors_info=”{}”]<\/p>\n
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ use_custom_gutter=”on” specialty=”on” custom_padding_last_edited=”on|phone” padding_left_2=”20px” padding_top_bottom_link_2=”false” padding_left_right_link_2=”false” padding_2_tablet=”|0px||0px|false|true” padding_2_phone=”|0px||0px|false|true” padding_2_last_edited=”on|phone” _builder_version=”4.20.2″ _module_preset=”default” background_color=”#C02D28″ inner_width=”90%” inner_max_width=”1900px” inner_module_alignment=”right” custom_padding=”190px||||false|false” custom_padding_tablet=”190px||||false|false” custom_padding_phone=”50px||||false|false” inner_module_alignment_tablet=”center” inner_module_alignment_phone=”center” inner_module_alignment_last_edited=”on|tablet” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_2″ specialty_columns=”2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_row_inner _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column_inner saved_specialty_column_type=”1_2″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font=”Crimson Pro|300|||||||” text_font_size=”18px” text_line_height=”1.8em” background_layout=”dark” locked=”off” global_colors_info=”{}”]<\/p>\n
Ana Gonz\u00e1lez nasceu em Santa Cruz de Tenerife, nas Ilhas Can\u00e1rias, territ\u00f3rio ultramarino pertencente \u00e0 Espanha, no ano de 1951. Migrou para o Brasil com sua fam\u00edlia quando tinha apenas dez anos. As artes pl\u00e1sticas e visuais estiveram presentes desde cedo na sua trajet\u00f3ria pessoal, seu pai era fot\u00f3grafo e tanto seu av\u00f4 como uma tia, pintores. Em Curitiba, frequentou dos 12 aos 18 anos de idade a Escolinha de Artes do Col\u00e9gio Estadual do Paran\u00e1. Na Funda\u00e7\u00e3o Cultural de Curitiba trabalhou por 31 anos, destacando-se como gestora cultural e diretora do Museu da Gravura de Curitiba. Artista de m\u00faltiplas linguagens e experimenta\u00e7\u00f5es, reconhece que iniciou desenhando para s\u00f3 depois submergir no universo da gravura. Durante 25 anos, coordenou o ateli\u00ea de gravura daquele museu \u2013 onde desenvolveu suas primeiras experi\u00eancias curatoriais e de produ\u00e7\u00e3o de exposi\u00e7\u00f5es. Al\u00e9m disso, a sua inquietude e fazer art\u00edstico levaram-na a experimentar outras formas de se expressar \u2013 atrav\u00e9s de instala\u00e7\u00f5es, objetos, fotogramas, interven\u00e7\u00f5es tanto em espa\u00e7os internos como no espa\u00e7o da cidade. Tudo isso restou sistematizado em in\u00fameros livros e publica\u00e7\u00f5es de sua lavra. Segundo a pr\u00f3pria artista, no seu processo de produ\u00e7\u00e3o, enfatiza fortemente a experimenta\u00e7\u00e3o, percorrendo caminhos inusitados ou pouco convencionais: \u201cvou lan\u00e7ando m\u00e3o ou inventando o necess\u00e1rio para a realiza\u00e7\u00e3o de cada novo trabalho e, entre os temas que me interessam, busco abordar quest\u00f5es que tocam as rela\u00e7\u00f5es entre os indiv\u00edduos em sociedade, das quais emerge frequentemente temas relacionadas \u00e0 mulher atrav\u00e9s do questionamento do seu corpo f\u00edsico, afetivo, emocional, social e pol\u00edtico. Ana interagiu com Masanori Fukushima durante a d\u00e9cada de 2000, quando ele passou a frequentar o atelier de gravura, aventurando-se na t\u00e9cnica da xilogravura. Dessa rela\u00e7\u00e3o de interc\u00e2mbio de experi\u00eancias resultaram alguns lindos trabalhos de gravura e uma amizade que se estendeu ao c\u00edrculo familiar do seu aluno.
instagram.com\/anagonzalez1017<\/p>\n
[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/editorainsight.com.br\/masa\/wp-content\/uploads\/2023\/03\/AnaGonzalez-Pupo-2.jpg” title_text=”AnaGonzalez-Pupo 2″ force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.20.2″ _module_preset=”default” max_width=”1360px” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” header_2_font=”Crimson Pro||||||||” header_2_text_color=”#c02d28″ header_2_font_size=”80px” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.20.2″ _module_preset=”default” max_width=”1360px” custom_padding=”||9px|||” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/editorainsight.com.br\/masa\/wp-content\/uploads\/2023\/03\/Rectangle-29-5.jpg” title_text=”Rectangle 29″ align=”center” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font=”Crimson Pro|300|||||||” text_font_size=”20px” text_orientation=”center” custom_margin=”10px||10px||false|false” global_colors_info=”{}”]<\/p>\n
Sem T\u00edtulo
Impress\u00f5es da mesa de grava\u00e7\u00e3o do atelier de xilogravura do Museu da Gravura Cidade de Curitiba.
39 x 79cm
1991<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font_size=”12px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n
Digitalizada por Naotake Fukushima<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/editorainsight.com.br\/masa\/wp-content\/uploads\/2023\/03\/Rectangle-30-5.jpg” title_text=”Rectangle 30″ align=”center” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font=”Crimson Pro|300|||||||” text_font_size=”20px” text_orientation=”center” custom_margin=”10px||10px||false|false” global_colors_info=”{}”]<\/p>\n
Sem T\u00edtulo
Xilogravura
41 x 81 cm
1993<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font_size=”12px” text_orientation=”center” locked=”off” global_colors_info=”{}”]<\/p>\n
Digitalizada por Naotake Fukushima<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/editorainsight.com.br\/masa\/wp-content\/uploads\/2023\/03\/Rectangle-31-5.jpg” title_text=”Rectangle 31″ align=”center” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font=”Crimson Pro|300|||||||” text_font_size=”20px” text_orientation=”center” custom_margin=”10px||10px||false|false” global_colors_info=”{}”]<\/p>\n
Sem T\u00edtulo
Impress\u00f5es da mesa de grava\u00e7\u00e3o do atelier de xilogravura do Museu da Gravura Cidade de Curitiba.
39 x 79 cm
1991<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font_size=”12px” text_orientation=”center” locked=”off” global_colors_info=”{}”]<\/p>\n
Digitalizada por Naotake Fukushima<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.20.2″ _module_preset=”default” max_width=”1360px” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/editorainsight.com.br\/masa\/wp-content\/uploads\/2023\/03\/Rectangle-32-5.jpg” title_text=”Rectangle 32″ align=”center” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font=”Crimson Pro|300|||||||” text_font_size=”20px” text_orientation=”center” custom_margin=”10px||10px||false|false” global_colors_info=”{}”]<\/p>\n
Sem T\u00edtulo
Relevo seco sobre papel
100 x 140 cm
1998<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font_size=”12px” text_orientation=”center” locked=”off” global_colors_info=”{}”]<\/p>\n
Fotografia de Wilton Montenegro<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/editorainsight.com.br\/masa\/wp-content\/uploads\/2023\/03\/Rectangle-33-5.jpg” title_text=”Rectangle 33″ align=”center” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font=”Crimson Pro|300|||||||” text_font_size=”20px” text_orientation=”center” custom_margin=”10px||10px||false|false” global_colors_info=”{}”]<\/p>\n
Sem T\u00edtulo
Pap\u00e9is transl\u00facidos carimbados com desenhos variados da artista, grampos e arame
130 x 168 cm
1998<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font_size=”12px” text_orientation=”center” locked=”off” global_colors_info=”{}”]<\/p>\n
Fotografia de Wilton Montenegro<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/editorainsight.com.br\/masa\/wp-content\/uploads\/2023\/03\/Rectangle-34-5.jpg” title_text=”Rectangle 34″ align=”center” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font=”Crimson Pro|300|||||||” text_font_size=”20px” text_orientation=”center” custom_margin=”10px||10px||false|false” global_colors_info=”{}”]<\/p>\n
Cat\u00e1logo
Slogans publicit\u00e1rios e 13 l\u00e2minas
de pl\u00e1stico, suporte de ferro
Cada l\u00e2mina 90 x 70cm
2001<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font_size=”12px” text_orientation=”center” locked=”off” global_colors_info=”{}”]<\/p>\n
Fotografia de Ana Gonz\u00e1lez<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.20.2″ _module_preset=”default” max_width=”1360px” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/editorainsight.com.br\/masa\/wp-content\/uploads\/2023\/03\/Rectangle-39-5.jpg” title_text=”Rectangle 39″ align=”center” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font=”Crimson Pro|300|||||||” text_font_size=”20px” text_orientation=”center” custom_margin=”10px||10px||false|false” global_colors_info=”{}”]<\/p>\n
Tenho Peito
S\u00e9rie Sinalizadores
Relevo Seco sobre papel
10,3 x 49,5 cm
2007<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font_size=”12px” text_orientation=”center” locked=”off” global_colors_info=”{}”]<\/p>\n
Fotografia de Guilherme Pupo<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/editorainsight.com.br\/masa\/wp-content\/uploads\/2023\/03\/Rectangle-40.jpg” title_text=”Rectangle 40″ align=”center” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font=”Crimson Pro|300|||||||” text_font_size=”20px” text_orientation=”center” custom_margin=”10px||10px||false|false” global_colors_info=”{}”]<\/p>\n
Passo a M\u00e3o
S\u00e9rie Sinalizadores
Relevo Seco sobre papel
10,3 x 49 cm
2007<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font_size=”12px” text_orientation=”center” locked=”off” global_colors_info=”{}”]<\/p>\n
Fotografia de Guilherme Pupo<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/editorainsight.com.br\/masa\/wp-content\/uploads\/2023\/03\/Rectangle-41.jpg” title_text=”Rectangle 41″ align=”center” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font=”Crimson Pro|300|||||||” text_font_size=”20px” text_orientation=”center” custom_margin=”10px||10px||false|false” global_colors_info=”{}”]<\/p>\n
Tenho Peito
S\u00e9rie Sinalizadores
Relevo Seco sobre papel
10,3 x 49,5 cm
2007<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font_size=”12px” text_orientation=”center” locked=”off” global_colors_info=”{}”]<\/p>\n
Fotografia de Guilherme Pupo<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.20.2″ _module_preset=”default” max_width=”1360px” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/editorainsight.com.br\/masa\/wp-content\/uploads\/2023\/03\/Rectangle-38-5.jpg” title_text=”Rectangle 38″ align=”center” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font=”Crimson Pro|300|||||||” text_font_size=”20px” text_orientation=”center” custom_margin=”10px||10px||false|false” global_colors_info=”{}”]<\/p>\n
Sem T\u00edtulo
Pl\u00e1sticos, camisas de amigos, embalagens, fio el\u00e9trico
18 cm de di\u00e2metro x 75 cm de largura
2000<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font_size=”12px” text_orientation=”center” locked=”off” global_colors_info=”{}”]<\/p>\n
Fotografia de Luiz Cequinel<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/editorainsight.com.br\/masa\/wp-content\/uploads\/2023\/03\/Rectangle-44.jpg” title_text=”Rectangle 44″ align=”center” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font=”Crimson Pro|300|||||||” text_font_size=”20px” text_orientation=”center” custom_margin=”10px||10px||false|false” global_colors_info=”{}”]<\/p>\n
Sem T\u00edtulo
Embalagens pl\u00e1sticas, pap\u00e9is transl\u00facidos desenhados, carimbados e gravados, impressos comerciais, pl\u00e1sticos e papel\u00e3o, atados com cintos doados por amigos e de acervo pessoal. Rolos atravessados poe fios de arame, suspensos junto \u00e0 parede por fios sint\u00e9ticos
2000<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font_size=”12px” text_orientation=”center” locked=”off” global_colors_info=”{}”]<\/p>\n
Fotografia de Ana Gonz\u00e1lez<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/editorainsight.com.br\/masa\/wp-content\/uploads\/2023\/03\/Rectangle-36-5.jpg” title_text=”Rectangle 36″ align=”center” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font=”Crimson Pro|300|||||||” text_font_size=”20px” text_orientation=”center” custom_margin=”10px||10px||false|false” global_colors_info=”{}”]<\/p>\n
Sem T\u00edtulo
Embalagens pl\u00e1sticas, pap\u00e9is transl\u00facidos desenhados, carimbados e gravados, impressos comerciais, pl\u00e1sticos e papel\u00e3o, atados com cintos doados por amigos e de acervo pessoal. Rolos atravessados por fios de arame, suspensos junto \u00e0 parede por fios sint\u00e9ticos
1999<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font_size=”12px” text_orientation=”center” locked=”off” global_colors_info=”{}”]<\/p>\n
Fotografia de Wilton Montenegro<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.20.2″ _module_preset=”default” max_width=”1360px” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/editorainsight.com.br\/masa\/wp-content\/uploads\/2023\/03\/Rectangle-42.jpg” title_text=”Rectangle 42″ align=”center” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font=”Crimson Pro|300|||||||” text_font_size=”20px” text_orientation=”center” custom_margin=”10px||10px||false|false” global_colors_info=”{}”]<\/p>\n
In God we trust
Fotograma a partir de nota de um d\u00f3lar [moeda do EUA]
30,5 x 40,4 cm<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font_size=”12px” text_orientation=”center” locked=”off” global_colors_info=”{}”]<\/p>\n
Digitalizada por Naotake Fukushima<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/editorainsight.com.br\/masa\/wp-content\/uploads\/2023\/03\/Rectangle-43.jpg” title_text=”Rectangle 43″ align=”center” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font=”Crimson Pro|300|||||||” text_font_size=”20px” text_orientation=”center” custom_margin=”10px||10px||false|false” global_colors_info=”{}”]<\/p>\n
Deus seja louvado
Fotograma a partir de nota de vinte reais [moeda do Brasil]
30,5 x 40,5 cm
2004<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font_size=”12px” text_orientation=”center” locked=”off” global_colors_info=”{}”]<\/p>\n
Digitalizada por Naotake Fukushima<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.20.2″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_text=”CONFIRA AQUI OBRAS DISPON\u00cdVEIS PARA VENDA” button_alignment=”center” _builder_version=”4.21.0″ _module_preset=”default” custom_button=”on” button_text_color=”#FFFFFF” button_bg_color=”#000000″ button_border_width=”0px” button_border_radius=”0px” button_font=”Montserrat|700|||||||” background_layout=”dark” custom_margin=”|10px|||false|false” custom_padding=”|20px||20px|false|true” hover_enabled=”0″ custom_css_main_element=”max-width:360px;” global_colors_info=”{}” button_url=”https:\/\/galeria.editorainsight.com.br\/artistas\/ana-gonzalez\/” url_new_window=”on” sticky_enabled=”0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
AnaGonz\u00e1lezAna Gonz\u00e1lez nasceu em Santa Cruz de Tenerife, nas Ilhas Can\u00e1rias, territ\u00f3rio ultramarino pertencente \u00e0 Espanha, no ano de 1951. Migrou para o Brasil com sua fam\u00edlia quando tinha apenas dez anos. As artes pl\u00e1sticas e visuais estiveram presentes desde cedo na sua trajet\u00f3ria pessoal, seu pai era fot\u00f3grafo e tanto seu av\u00f4 como uma […]<\/p>\n","protected":false},"author":1,"featured_media":232,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-231","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/editorainsight.com.br\/masa\/wp-json\/wp\/v2\/pages\/231","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/editorainsight.com.br\/masa\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/editorainsight.com.br\/masa\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/editorainsight.com.br\/masa\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/editorainsight.com.br\/masa\/wp-json\/wp\/v2\/comments?post=231"}],"version-history":[{"count":3,"href":"https:\/\/editorainsight.com.br\/masa\/wp-json\/wp\/v2\/pages\/231\/revisions"}],"predecessor-version":[{"id":645,"href":"https:\/\/editorainsight.com.br\/masa\/wp-json\/wp\/v2\/pages\/231\/revisions\/645"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/editorainsight.com.br\/masa\/wp-json\/wp\/v2\/media\/232"}],"wp:attachment":[{"href":"https:\/\/editorainsight.com.br\/masa\/wp-json\/wp\/v2\/media?parent=231"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}